Thursday, August 6, 2020

Grandmother's Hat


I mistakenly typed the title of this post in a google search, and what pops up?  A variety of rose that looks very similar to the fabric roses on my head!  How awesome is that!!


I have been going through old photos, and I came across these.  Seeing them again made me bemoan the fact that there are so few opportunities to wear a lovely chapeau in this post-COVID19 world.


These photos were taken almost three years ago at the Legion of Honor in San Francisco; I find a museum is always a wonderful opportunity to wear a hat.


But I may just have to dust off the old hat box and pick something to wear, just because it's a Thursday.


Jacket:  Made by me, Vogue 9082
Skirt:  Made by me, McCall 2698
Hat:  Grandmother's
Earrings:  Vintage
Shoes:  Anne Klein "Foxie"

Monday, July 13, 2020

Pink & Turquoise Funfetti


Well, I thought I was on a roll there, getting nice and caught up with the blogging situation, but I lost my forward momentum.


So, while the colors of this dress are quite suitable for the Summer season, I actually completed this dress last Fall.  I even got around to taking timely photos (you may notice some Fall foliage in some of the pictures).  Then the images sat around and new sewing projects beckoned, and the folder got buried on the computer and I forgot about them.  But I never forgot the dress!


As I mentioned in this post, I finally got around to playing with one of those multi-sleeve patterns.  


I have long bemoaned the fact that sleeves are so very boring these days, and those wonderful patterns from the Thirties and Forties with five or six different and scrumptious sleeve options in one pattern envelope have intrigued me for years.


Well, Simplicity reissued two of them.  And while I hope to someday tackle each and every one of them, I had to start somewhere.  This tied wrist sleeve option is far from the most interesting, but I felt it worked nicely with Simplicity 8248 and my choice of fabric.


The starting point of this entire project, however, was my shoes.  The Cora Sandals were purchased without a thought as to what I would pair them with - I just had to have them.  It turns out they go with a whole bunch of things in my closet, but while rummaging through my rayon stash, I happened upon this confetti fabric which was a perfect match!  The only question was which pattern to use.


There are a few silhouettes which I am repeatedly drawn to, usually from the 1950s and 1940s.  I have branched out into a 1960s silhouette in the last few years and found that I really love that petticoat floof that comes right out of the waistband and mushrooms into a very full skirt.  But I also have a made a few dresses with a 1930s silhouette and the streamlined look is pretty great, too.  And I do love tea length!


And that is the story of this frock.


I happen to have a few other pairs of shoes that deserve a dress made especially for them, so I should get to work on that!



Dress & Belt:  Made by me, Simplicity 8248 & Simplicity 8695
Shoes:  Royal Vintage "Cora" Sandals

Tuesday, June 23, 2020

Who knew that old job would come in handy?!

Way back when, one of my first summer jobs was at a retail establishment called "Prints Plus."  It was a very strange experience, including a boss who had a lot of her own problems and sometimes wouldn't show up at all, or leave a brand new employee to take a long smoke break and disappear for 30+ minutes at a time.  And then there was that time I had to open all by myself because she never showed up, and the receipt paper needed replacing, and I was the only person on site, and I had to go down that mall corridor and find another retail employee who could help.  For an extremely shy person who didn't like to admit not being able to figure something out, this was not very fun.  Needless to say, it was a short-lived summer job, and that was just fine with me.  But I did learn a few things about framing.  Also, some of the employees made it extremely difficult to trust my one of a kind work to complete strangers behind a counter that are paid minimum wage - did I mention there were some employees responsible for damaging items at Prints Plus during my short tenure?


But back to the topic at hand.  Having more time at home has led me to rediscover some old projects that were not quite finished.  I recently found a bag with two folded up cross stitch projects; totally completed except for framing.  So I decided to do something about it.  And miraculously, I found a pre-made 10x20 frame (so much cheaper than having something custom made).  Some foam core and a little time were the only things needed to get these ladies up on the wall where they belong!


I like needlework not to be covered with glass.  It's a personal choice, and yes, it does expose the work to dirt and dust, but a little Scotch Guard or some other equivalent does a nice job of protecting things.  Would I hang these in the kitchen?  No.  But a light spray has done a great job of protecting other work in the past, and on a wall in my sewing room, I think they will be safe.


But the first step is to wash the piece.  Luke warm water is best.  I know some people think these are dry clean only, but I have never had an issue with color bleed so long as I use a gentle dishwashing liquid and no cold or hot water.  And after handling a piece like this for hours and hours while stitching, there is no way they are pristine and perfectly clean, even if they look like they are.


This project was wrapped in tape along the edges to help with fraying, but I would not recommend the practice.  Thankfully, I peeled that off years ago, but there was still residue that I wanted to get off.  This project was started before I had easy access to a sewing machine; these days I would simply zig zag around the edges before starting the embroidery bits.  I did zig zag after washing to protect the edges during framing.


After a dunk in soapy water and a good rinse, roll them in a towel to get ride of the excess moisture.  I like to put them upside down on a drying rack outside for a few hours in the sun.  Upside down is a good idea just in case a falling leaf or something that might leave a spot happens to land on the piece while it is drying.  


After it's been washed, the piece will need to be ironed.  You don't want to press directly on any areas that are stitched, but a burst of steam will work wonders.  Make sure to do this on the wrong side of the work.


You can use a press cloth if your iron likes to spit rusty water, like mine.  [And yes, it's probably time for a new iron, but I am so sick of irons going bad, and I keep putting it off.]  Another option is to place the piece on a towel.  As with a needle board for velvet, the towel won't let you smoosh the textured stitches/fabric as an ironing board might.


On to the frame.  Different frames are put together differently, so there may be different challenges with different styles, but you get the idea.  Miraculously, I found a ready-made frame that matched the dimensions of the oblong piece.  This particular one is a floating frame, but I am going to make it work.  As I previously mentioned, I don't like to cover cross stitch with glass, but I will use the glass to cut myself a piece of acid free foam core.  The glass obviously fits inside the frame, so I just need to duplicate that size.  Mark the edges with a pencil and use a blade to cut through the foam core (you may need to slice from both sides).  You can use the edge of the glass to make a clean cut.  And make sure you have something under your foam core that you don't mind getting sliced.  An old cardboard box that was waiting to be recycled worked perfectly for me.


Make sure to check if your newly cut piece of foam core fits easily inside the frame.  We are going to be wrapping fabric around the edges which will add to the size, so if it's a really tight squeeze, you may want to trim more from the edges.


Pop the foam core out of the frame.  Now it's time to attached the needlework to the foam core.  Working from the center of each side, stretch the work around the foam core and pin in place.


This piece is made with Aida Cloth and is quite sturdy.  You can tape the overlap in place on the back side of the foam core, but I try to avoid adhesives when I can.  Over time they do weird things.  I can't imagine the adhesive working its way through the foam core, but just to be safe, and because I have plenty extra fabric to work with, I decided to stitch the fabric in place.  This also helps to stretch the piece.  I am using a heavy weight cotton meant for hand quilting that is doubled.  The dimensions of this design is 10x20 inches, so it took a fair amount of thread, but I think they extra time and effort was worth it.


As for the corners, mitering is the easiest way to get the fabric bulk out of the way.  It's not truly mitered because I am not trimming anything (which I don't want to do in case I ever decide to mat this piece).  Not the prettiest corner in the world, but it works.


Those corners then get stitched into place.


After a while, you will have something that looks like this.  And then you get to remove all of those pins.


And here it is from the front.  If I ever decide that I want to reframe this with a mat, I can just clip the threads and release the design from the foam core.  You will also notice that I have some white fabric visible from the front.  The edge of the frame is going to hide a portion of the outer edges of any picture.  This just means I lose a little bit less of my stitching to the frame lip.


The fabric/foam core combo then goes into the frame.


Because this particular frame is a floating frame, it did not come with a backing board.  As an easy fix, I cut a second piece of foam core as a backing.  And just so I don't forget the title of the design, I marked it on the back, along with the date of completion.  Which means this cross stitch project is ready to hang on a wall!


For the second piece of embroidery, I had very little extra fabric to worth with, but the process begins in the same way.  [In the future, I am always going to make sure to get an oversized piece of linen so I don't have this issue.]  I could have used a smaller frame, but I think the design would have looked cramped in anything smaller.


Here you can see just how little fabric I have to fold over the edge of the foam core; just enough to stitch the edges together.


And this time I decided that the combination of loose weave linen fabric and such a small margin of fabric to work with made tape my only option.


I started with small piece of tape to secure the mid points and then went back and covered the whole edge with tape.  


This frame comes with a press board backing often found on standard sized frames, so that covers the taped foam core.  Then that little hook gets screwed into the frame and the cross stitch can be mounted on the wall.


And it only took me 22 and 14 years, respectively, to frame them.


Now, that's a long term project!


Friday, May 29, 2020

A New Rønne, A New Pattern Company


I have come across the Rønne Blouse from time to time over the years, and it always looked like something I might want to sew, but for whatever reason, I never purchased the design.  However, this month I decided that it would be perfect for a white dotted swiss that I found at an estate sale last year.  And I am all about using stashed fabric these days!


I am not a fan of PDF patterns, but since this is a blouse, the pieces were not going to be all that large.  I did encounter a problem with printing.  The upper and lower borders would not show when the pattern was set at it's actual size (which is very important for sewing patterns, obviously).  I suspect the issue is European paper sizes versus standard 8.5x11 paper that I have access to.  I contacted the company and they were very responsive, however, my problem was not solved.  Maybe it's just my computer with the issue, but I am pretty good at figuring those sorts of things out, and this one would not work for me no matter what I tried.  I decided to go ahead without the upper and lower borders and do my best to match up cutting lines.


Seam lines matched each other throughout, so I must have been fairly accurate with my taping.


The pattern is described as beginner friendly, but I would have been a bit lost with the instructions had this been my first garment.  Also, the instructions are not sent with the PDF pattern, they are available on the How to Do Fashion website, which took me a minute to figure out.  


When I first began sewing with garment patterns, I used Big4 patterns, and they give a lot more information.  For instance, this pattern simply says to finish the armhole with bias tape; no diagrams or explanations.  It also seems that they would have you finish all of the short peplum edges, but later the front band gets attached, so that seam would be finished twice along the front peplum? 


That being said, in a world full of YouTube videos that are a google search away, perhaps step by step diagrams and explanations are not necessary.  But I prefer instructions to be a bit more specific, especially if they are catering to beginners.  It certainly is a cute design, though!  And I will probably be making myself another in the near future - I just have to decide what fabric to use.
 

Monday, May 25, 2020

Lily Pads & Butterflies


As I was cleaning up old folders full of pictures on my computer today, I came across these.  So yes, it is official, I am years behind in posting to this blog.  And I will never ever catch up at this point (or at least, that's the way it feels).  But that's okay.


I made this dress so long ago, it was before I had figured out the sizing employed by Butterick (aka McCalls Pattern Company) patterns.  The copyright on the pattern envelope is 2000, and that seems pretty close to when I made this dress.


It turned out rather large since I blindly trusted the sizing chart and didn't bother with finished measurements.  I don't do that anymore!  


And because of the design, the oversized version of the garment was never very flattering.  But since I loved this whimsical print so much, I did something that I rarely, if ever, do.  I basically took the whole thing apart and made it fit.  And this dress is fully lined.


I enjoyed wearing the dress for a long time once those adjustments were made, and then it sat in my closet for even longer.


Then three years ago, it caught my eye as I was rummaging through the closet, and I pulled it out to wear again.


And now that the weather has warmed up considerably (it was 97 degrees today, yuck), I think I will pull it out again.  Thank you old photos for reminding me of my old wardrobe!


Dress: Made by me, Butterick 6637
Necklace:  Refashioned by me