The galleries were
extremely crowded, so it was a good thing that I had my crinoline on to give
myself a little extra personal space! “Excuse
me, pardon me, crazy lady who thinks it is 1957 coming through.”
The dress I pulled out of the closet for my day in San Francisco is Vogue 2903.
I adore this reproduction. The yoke construction is ingenious. The shoulder pieces are finished off and then
the sleeves and yoke, which are constructed as one piece, get set into the
finished garment. For a more formal look, the yoke section could easily be removed from the pattern altogether. I am surprised that the pattern does not include this as an alternate suggestion.
This is one of the
reasons I adore vintage patterns and reproductions – there are so many more
special touches to be found than with their contemporary counterparts.
The only downside with the dress is that the pleats can be a
bit of a pain to iron. I made the
mistake of basting them with a bright red color, and every time I iron the
dress, I find more basting thread bits that I missed (at least they blend in with the
cotton!).
The fabric was a lucky find from JoAnn Fabrics. These are not the colors I would normally be
drawn to, but I could not resist the large scale watercolor print on crisp
cotton.
I just noticed the Wizard of Oz connection - my
dress is a poppy field – I hope the pictures are not making everyone sleepy!
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| Image from fanpop.com |
Dress: Vogue 2903
Coat: McCalls 5480
Shoes: Alfani
“Daphna” in Pale Yellow
Hair Flower: Made by
me
Necklace: Banana
Republic
Ring: Macy’s






