Monday, December 12, 2011

Don’t I know you from somewhere?


The last few days have been busy!    

First off, I have to say a great big THANK YOU!! to Mr. Lappin of Male Pattern Boldness for my brush with fame.  Not only did he graciously mention my little fledgling blog (it took me a few minutes to figure out where all of those new followers came from!), but he says I remind him of a movie star – well, thank you darling (don’t worry, your check is in the mail).


Then, I finished my coat just in time for the BurdaStyle Sewing Handbook Launch Party in San Francisco.  I caught a quick mention on their blog the other day, Mena of The Sew Weekly mentioned it on her blog (got to meet her at the party!), and Amy commented here to ask if I would be attending.  Because the idea kept nagging at me, I decided to go, even as the dread of SF parking was ever present.

Turns out I am very glad I decided to go.  How fantastic to be in a room full of creative people.  And how great to meet fellow bloggers in person.

Amy of Sew Well and Meg of Made by Meg – it was fantastic meeting you both!  See you around the blogosphere, and hopefully for a sewing party/outing sometime soon!

Saturday, December 10, 2011

Vintage Knitting Inspiration


Yesterday evening I arrived home after a long and exhausting week at work, and what did my eyes behold, but a nondescript cardboard parcel sitting next to my front door. Could it be? Yes it could!


A Stitch in Time, Volume 2 has arrived in California!  The discussion boards on Ravelry have been full of satisfied customers all over the world boasting about their beautiful new books, and I will admit that I was getting very jealous.


While I have not had enough time to fully digest all of the incredible information included in this book, I did pick up on one fun fact: “cardigans and jackets were restricted to 3 buttons during war time Britain.”    I was aware of the limitations imposed by rationing on fabrics, but I had never thought about fastenings!    I took a quick look at my 1940s sewing patterns and sure enough, one or two buttons are used to fasten those jackets.  And it never occurred to me!


I am determined to stay focused on my coat for the moment,  but you can be sure there will be lots of knitting in my future!


Thursday, December 8, 2011

Valentino Archives

Valentino, Fall 2006 Couture Collection
Image from style.com


I am sure that many couture enthusiasts are already aware of this, but I thought I would share the news: the Valentino Virtual Museum is open for your viewing pleasure.

I had a quick peek, and it is stunning.  Certainly not as nice as seeing the creations in person, or owning your own couture piece (I can dream, can't I?), but there are no museum security guards hovering as you lean in to figure out what kind of construction was used or how the garment fastens!  

One thing that is missing for me is the option of looking inside the dresses – I want to see each amazing stitch!

If we are lucky, more designers will follow suit.  

Wednesday, December 7, 2011

A New Wool Coat, Part 1

First of all, I want to thank everyone for their lovely comments about my good news - the support and good will from the online sewing community is truly amazing!


And lest you think that I am resting on my laurels, here is my latest project.

Although I certainly do not NEED a new coat, I had a hankering to cut into some lovely wool coating last week, so I did.


I have been trying to find the right fabric for this pattern for years.

I originally wanted to make this into a coat dress with an emerald green damask fabric.  (Once again, I  dreamed up a fabric that does not exist, or at least, one I could not find.)

Of course, as soon as I cut into the wool fabric, I wanted my new coat.  Does this happen to anyone else?  I have so many different ideas for so many projects that I will never have enough time to finish them all, which makes me impatient to finish whatever I am working on.  Once I have my pattern and fabric, I want to wear my new creation! 

But I took a deep breath, stepped back, and decided that I was going to make this coat the right way.  After all, I waited five years for the right fabric, and it deserves the few extra hours it will take to make the coat last a lifetime.


I am underlining the wool coating with cotton flannel.  Because of the added bulk, once I press open the seams, I am catch-stitching them to the flannel underlining.  Turns out, this makes it so much easier to match seams!  The collar and facing pieces are getting underlined with plain black cotton.  I may add cuffs to the long sleeved version, but I am not sure about that yet.


The coat instructions use purchased shoulder pads.  I prefer to make my own, and thanks to my collection of Vintage Vogue reproductions, I have plenty of pattern pieces to choose from!  I ended up borrowing the shoulder pad pattern pieces from this dress.


I was not sure about a lining fabric, until I realized that my pink satin was the only suitable yardage in my stash that was three yards long.  I believe that I am going to be very happy with my color choice – the pale pink and black work great together.  Hmm . . . maybe I need to make a black dress with pink accents to match . . .


Tuesday, December 6, 2011

I would like to thank . . .


the academy, my agent - wait, that’s not right.



Thank you, thank you, thank you to everyone who voted!  Someday soon I will be the proud owner of a new Bernina sewing machine.  And just in time, too!  I am not sure how age is measured in sewing machines, but if mine were an automobile, it would probably have over 150,000 miles on it.

I also want to specifically thank my mom for reminding all of her friends to vote, and to everyone at the office for supporting my sewing obsession.

So, once again, thank you for all of your votes – they sure added up to something amazing!

Sunday, December 4, 2011

How to Apply Seam Binding: A Tutorial


I often get questions about the rayon seam binding finish that I love to use.  So when Jeanette suggested a tutorial, I figured the timing was perfect!

First, you will need to make sure you have the right materials.  I use Hug Snug Rayon Seam Binding, but any rayon binding will do.  This is not twill tape, polyester hem tape, or single/double fold bias tape.  I highly recommend getting your hands on some rayon binding - it makes a real difference.

Whenever possible, I like to sew my seams before applying the hem tape to the raw edges of my fabric.  This way, if any stretch occurs, your piecing will not be affected.

There are a few different techniques I have used to apply the seam binding, and I am sure there are more that I am not aware of, but I will start with my favorite.

*Double-Seamed Method*


1.  Pin and sew your seam as you normally would.


2.  Iron your seam flat. 


3.  Go back to your sewing machine.  Push all of the fabric to the left of the needle except for one raw edge (you should have the wrong side of your fabric facing you).  I like to keep a spool of seam binding at my feet and unwind it as needed. 


For my first seam, I do not use pins, but you certainly could.  The seam binding is a bit sheer and very delicate, so you should be able to see/feel where the edge of your material is.  I like to place the binding so a bit more than half of the binding hangs over the edge (if your fabric if thick, you may want to have even more hang over the edge to accommodate the thickness).  Stitch this is place and continue unwinding from the spool at your feet until you reach the end of the fabric. 

4.  Cut the binding about an inch from the edge of your fabric just in case it unravels at the cut end before you finish your garment.


5.  Back at the ironing board, fold the remaining half of the binding so that it encases the raw edge.  At this point, depending on the length of the seam, you may want to use a few pins to hold the folded over edge in place.  You may not need to, however, because this stuff irons beautifully!



6.  Now you need to go back to the sewing machine and stitch that seam in place.  I usually complete these first steps on all of my lengthwise seams at once before heading to the ironing board, iron a bunch of them down, and then head back to the machine to be more efficient.



This method obviously uses up a lot of thread, but I find that I get the best results.  I do not have to struggle with a narrow folded piece of drapey rayon and I do not have to pre-cut lengths of binding, so in the end, I feel like it saves time and frustration.


But that’s just me!

*Pre-Fold Method*

For this method, lengths of seam binding are cut to the length of each raw edge that needs to be covered.  If I go this route, I like to use pinking shears to cut the binding.  (While the edges are woven and will never ravel, the cut ends have a tendency to fray.)

1.  Pin and sew your seam as you normally would.

2.  Iron your seam flat. 

3.  Cut your pieces of seam binding a bit longer than your seam (to account for any measurement mistakes – you will not want to unpick your stitches once you have completed a long seam, and it is always better to have a little too much than not enough, right?).


4.  Go to the ironing board and fold the lengths of seam binding so that the edges are not quite even.  This will ensure that your single line of stitching catches both the front and back sides of the binding.


5.  Here comes the irritating part (at least for me).  Forget I said that – it may end up being you favorite part and I would not want to influence you!  This time you should work with the right side of the fabric facing you.  Encase the raw edge of your fabric with the thinner edge on the top and pin in place.  


6.  Go back to the sewing machine and stitch as close to the edge as possible.  When you turn your seam to the wrong side, you should have easily caught the back side of the binding because it is wider than the front fold. 


If your stitches look a bit wavy or the binding looks ruffled, go back to the ironing board and press your seam flat with a bit of steam.  Presto, you have a beautifully finished seam edge!



*Pre-Fold Hand Stitched Method*

This method is the same as the pre-fold method except that you will be hand stitching the seam binding. 


I have found that with a piled fabric like velvet or some thicker wools, the folded rayon does not like to stay in place with the Pre-fold method and then you have to fight your machine, the stitching line is no longer straight, and frustration ensues.  

I should also confess that I find hand sewing to be incredibly relaxing (unless you are on a deadline!) and easier to keep things from shifting.  I use a combination of a running stitch with a few backstitches every few inches to make sure that the running stitch does not gather my seam.


A quick steam press, and you have a lovely finished seam – nothing is ever going to unravel!

*A few more things to keep in mind*

This is obviously a rather time consuming technique to finish raw edges, but I believe the end result is worth the extra trouble.  The light weight rayon will not add bulk to your seams, it gives a very vintage feel to the insides of your garments, and it really is pretty! 

If you have perpendicular seams, make sure to finish all of the seams traveling in the same direction before sewing up any cross seams.  For instance, each lengthwise skirt seam should be bound before the skirt gets stitched to the bodice along the waist seam.  


This will catch all of the ends of the seam binding in that waist seam, which, eventually, gets finished with the binding.  


And look, you now have another completed seam that needs to be finished!  Time to get to work!


I have never pre-washed the rayon binding, and have never had an issue with shrinkage.  That being said, I normally drip dry all of my hand made clothing, so I am not sure what too much dryer time might do to the binding.  I would imagine that if your fabric is pre-shrunk there should not be any issue.  

Rayon seam binding also works great as hem tape!



*Suppliers*

If you don’t think you will have a use for 100 yards of this stuff, I would suggest Mattiecakes’ etsy shop.  She sells very reasonably priced lengths in stunning colors.

If your local sewing shops do not carry rayon seam binding, I would suggest trying some Hug Snug from fabric.com.  The mass retailers like JoAnn Fabrics do not carry the rayon binding, and I would suggest avoiding the polyester hem tape that looks similar at all costs – it is stiff (even though it calls itself “soft & easy”) and will not iron nearly as well – I would imagine it would melt if your iron gets too hot!  

And I promise you will get a lot of use out of this stuff – it is fabulous!


Contrasting colors can look very pretty, so don’t worry if you cannot find an exact match to your fabric.

If you have any other suggestions for places to purchase rayon seam binding, please let everyone know!

Sorry for the length of this entry and the poor picture quality – the sun was not very bright in the sewing room today!  I have a new found respect for all of the bloggers out there that are always doing new tutorials – it is really challenging and time consuming not to mention difficult to take pictures with one hand!  So please let me know if I was unclear or need to fill in any missing steps.

Thanks for reading!

Thursday, December 1, 2011

An Evening of Pure Fantasy


Last night I indulged in one of my guilty pleasures – watching the yearly Victoria’s Secret Fashion Show.  And while the garments are certainly not of the same excellence, the deconstructed quality of the outfits (underwear worn as outerwear) remind me of Dior’s Fall 2009 Couture Collection.   

Images from Style.com
Images from Style.com
Images from Style.com
Images from Style.com
Quite a few pieces in the collection have always reminded me of Eliza Doolittle at the Ascot Races gone wild. 

And while Victoria’s Secret lingerie is by no means couture, the designs are tremendous and each is a pure flight of fancy.

Angels Aquatic from the Victoria's Secret Fashion Show 2011

This look was one of my favorites, and with a bit of an underlining for added modesty, one of the few looks of the evening that could actually be worn in real life without getting arrested for indecent exposure.  

Angels Aquatic from the Victoria's Secret Fashion Show 2011
I can picture Veronica Lake wearing it, or any other starlet from the Golden Age of Hollywood.  


It actually looks like a cross between Marlene Dietrich’s beaded cabaret gown designed by Jean Louis and Ginger Roger’s feathered confection.



Or how about Marilyn in Some Like it Hot?  


And that crystal crown would be perfect for Esther Williams, the Million Dollar Mermaid.

While I have a real problem with 15 year old girls getting paid to wear nothing more than their skivvies in front of the entire world, the fashion design and work put into this event is incredible.  The creativity is truly astounding.  And entire articles devoted to the fact that Adriana does not eat solid food for days and does not drink water for 12 hours prior towalking down the runway – gross – well, I choose to look beyond that (as I hope every young girl does, yeah right) and enjoy the clothing itself, not the bizarre bodies of the models!  And did you notice the shots of the men in the audience ogling the basically naked women – a bit off-putting, don’t you think?  So let’s ignore the models and their bodies and their strange dietary idiosyncrasies and the rest of it and focus on the clothes/fashion.

Some of the outfits are totally ridiculous, but the corsets, beading, bows, spangles, not to mention the creative talent would be right at home on the stage of The Ziegfeld Follies.  

Victoria's Secret Fashion Show 2011

Instead of fantastic headdresses (don’t get me started on the awful messy hair) the girls wear wings. 

Victoria's Secret Fashion Show 2011, Ballet Collection
Victoria's Secret Fashion Show 2011, Ballet Collection

While researching a role a few years back, I read that Ziegfeld required that his girls’ hip measurement be 2” larger than their bust.  Now, I would hazard a guess that not a single Victoria’s Secret Angel fits those requirements, but 100 years later we are still watching scantily clad women parade about on stage.  Go figure, right?

And don’t think that I was sitting at the television the entire time.  Each commercial break I would run to the sewing room to cut into my new wool coating.  There is nothing like a bit of creative inspiration to motivate me.

And now I believe I will go and eat a big bowl of pasta on behalf of those deprived models – because I can!